Fatal, superb and rough tango: The brave compadrito and the cult to the knife in Borges.

Abstract

This document is of a reflexive nature not derived from research processes and presents a partial journey through the relationship between tango and the context of Argentine compadritos in the narrative and poetic writing of Jorge Luis Borges from the perspective of textual analysis and relationship search semiotics It is a written exercise within the framework of the introductory course to literary studies of the Universidad Autónoma de Bucaramanga and expresses the search for initial meaning in the process of identifying elements of interest in Latin American literature.