Body in the comedy that is a body. The body of the actor in the comedy and its functioning across “the game” in the Comedy of the Art

  • Igor Raphael Martínez Rebolledo Universidad de los Andes. Venezuela
Keywords: scenic arts, body, drama, simulation game, comedy

Abstract

The article treats on the body of the actor in the comedy and its functioning across “the game” in the formative process developed in the year 2017 in the laboratory of Comedy of the Art of the Performance course III of the Licentiate in Performance, School of Scenic Arts, and faculty of Art of the University of The Andes. The methodology was faced across a qualitative paradigm with an approach phenomenological – hermeneutically applied to the educational field in which the incidences record was systematized across the skill of the observation participant. The investigation threw, in answer to the target of the investigation, reflections about the relevancy of the body and it’s functioning in “the game” like strategy to motivate the awakening of the creative forms in the technical development of the comedy of the art

Author Biography

Igor Raphael Martínez Rebolledo, Universidad de los Andes. Venezuela

Scenic arts professor

References

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How to Cite
Martínez Rebolledo, I. R. (2020). Body in the comedy that is a body. The body of the actor in the comedy and its functioning across “the game” in the Comedy of the Art . La Tercera Orilla, (25), 16–25. Retrieved from https://revistasunabeduco.biteca.online/index.php/laterceraorilla/article/view/4066

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Published
2020-12-21
Section
Resultados de Investigación

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